The Swallow Anthology of New American Poets, David Yezzi, ed.

JACKET COPY

The Swallow Anthology of New American Poets gathers the work of thirty–five of the most compelling and talented new poets writing today. Groundbreaking anthologies of this kind come along once in a generation and, in time, define that generation. The Swallow Anthology identifies a group of poets who have recently begun to make an important mark on contemporary poetry, and their accomplishment and influence will only grow with time. The poets of The Swallow Anthology do not constitute a school or movement; rather they are a group of unique artists working at the top of their craft. As editor David Yezzi writes in his introduction, “Here is a group of poets who have, perhaps for the first time since the modernist revolution, returned to a happy détente between warring camps. This is a new kind of poet, who, dissatisfied with the climate of extremes, has found a balance between innovation and received form, the terror beneath the classical and the order underpinning the romantic. This new unified sensibility is no watered-down admixture, no easy compromise, but, rather, the vital spirit behind the most accomplished poetry being written by America’s new poets.”

Poets include: Craig Arnold, David Barber, Rick Barot, Priscilla Becker, Geoffrey Brock, Dan Brown, Peter Campion, Bill Coyle, Morri Creech, Erica Dawson, Ben Downing, Andrew Feld, John Foy, Jason Gray, George Green, Joseph Harrison, Ernest Hilbert, Adam Kirsch, Joanie Mackowski, Eric McHenry, Molly McQuade, Joshua Mehigan, Wilmer Mills, Joe Osterhaus, J. Allyn Rosser, A.E. Stallings, Pimone Triplett, Catherine Tufariello, Deborah Warren, Rachel Wetzsteon, Greg Williamson, Christian Wiman, Mark Wunderlich, David Yezzi, and C. Dale Young.

COMMENTARY

“These poets at their best evoke the freshness one hopes for but rarely finds in contemporary poetry.” —Baltimore Sun

“Obviously, greatness is something conferred posthumously and by posterity, but the poets here exhibit the right aspirations and reflect how American poetry is constantly evolving in craft, range, and versatility.” —PN Review

“Highly recommended.” —Choice